![]() Using timecode and reel name, the system will automatically associate the left and right eye of the stereoscopic clips. The viewer also allows split-screen display to show in and out points of adjacent clips.ĭaVinci Resolve 10 can be used for stereoscopic 3D projects with full support for left- and right-eye clips in the media pool and the edit timeline. ![]() Other new editing features include extensive ripple, roll, slide and slip clip-trimming support, which display dynamically on the timeline and viewer. Audio can be synced, trimmed and dragged independently to the timeline. New editing features include full multi-track editing with 16 channels of audio per clip and unlimited video and audio tracks in the timeline. DaVinci Resolve 10 has upgraded on-set tools, upgraded editing features, support for OpenFX plug ins as well as new tools for delivering final project masters to cinemas. New formats include JPEG 2000 decoding and encoding, as well as AVI clip decoding and playback. DaVinci Resolve 10 operates with virtually all video file types available. The performance can be upgraded by adding extra GPU’s to handle 4K resolutions, stereoscopic 3D and real-time grading direct from raw camera files such as ARRI RAW, RED RAW and Sony RAW files. Providing on-set, editing and color correction systems for Mac OS X, Windows and Linux computers, Blackmagic Design’s DaVinci Resolve 10 is not limited by the performance of the computer it’s running on because it is based on a cluster of high performance GPU cards, so processing is always real-time. ![]() Now, in addition to color-timing tools tied to editing software, high-powered grading and finishing platforms are now being offered as software-only programs in addition to their hardware based set-ups. The trend has expanded from offline editing into the online arena. The trend in post started in the edit suite with the introduction of Final Cut Pro, which sparked edit systems such as Avid to move from hardware-based, turnkey systems to file-based software that could be installed on the customer’s own computer network. This may be an oversimplification, but with the democratization of media creation, content providers are demanding more cost effective and integrated systems in all areas of the production pipeline.
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